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Ockham's Razor bio
Ockham’s Razor formed in the spring of 2006 and began
introducing audiences in the Pacific Northwest to
their exciting, youthful style of Irish and Folk music
in June 2006 at the Fremont Summer Solstice Festival.
As a result, the band was commissioned to write and
record their first original song (“A Face, An Echo”)
for an independent film.
After working with Grammy nominated producer Conrad
Uno (Presidents of the United States of America, Mudhoney,
Posies) on their debut CD, Ockham’s Razor began performing
shows throughout the Pacific Northwest, the San Francisco
Bay area and Portland.
In the following months, the band of Kris Clements
(whistle & vocals), Ben Ireland (guitar &
vocals), Katie Corcoran (Fiddle) and Randy Whitelock
(Percussion) would continue to write their own music
as well as arrange traditional Irish and Celtic songs
in new, modern ways with their fascinating technique
to deconstruct and recreate them with a modern sound
while containing the spirit and soul of what made
each song memorable. The bands fun, young sound and
exciting, inter-active stage shows also attracts new
audiences to the music who may have never previously
listened to Celtic music.
The summer of 2007 saw the addition of two additional
members to the band. Tom Rooney on mandolin and banjoy
and Dane Dorning on bass. The band met Tom at the
Yakima Folklife Festival when he was filling in for
another band. After the festival, Tom started working
with Ockham's Razor. Dane met the band by proximity.
He is a neighbor of Ben. When the band needed a bassist,
they only needed look next door.
Within a month, the new members began practicing
with band and performed their first live show.
Ockham's Razor's second album, Ten Thousand Miles to
Bedlam, was recorded and introduced fans to the
evolved sound.
Since the recording of the album, original members
Ben Ireland and Randy Whitelock as well as Dane
Dorning have left the band and new members Dave
Forrester and Oisin Mac Suibhne joined.
The musical backgrounds and influences of the members
of Ockham’s Razor is widely varied which helps create
a blending of genre’s into the music the band creates.
With the back beat of a full drum kit, a classically
trained Violinist with flowing blond, curly hair, a
sean-nos singing tin whistler with a variety of hair
colors, the bluegrass
influence of the mandolin and banjo and the beat of
the bodhran, Ockham's Razor isn't your fathers
Irish band.
INDIVIDUAL BAND BIOS
TOM
KATIE
KRIS
DAVE
OISIN
NATHAN
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